Sunday, 28 August 2011

Location PR Folio Proposal/Research


1.       Make two group portraits using flash lighting. Group of 6 people, indoor locations, posed formally and also a more relaxed.
For this part of the assignment I plan on photographing 6 members of staff from the insurance company that my uncle Kevin works at; Cunningham and Lindsey. The staff members either work from their small general office or from their cars when they are out in the field assessing.

For my formally posed shot, I’ll be trying for results such as these:






Ill be aiming for less formal shots like this:


1.       Make four portraits, using flash lighting.
For this section of the folio, I intend to use a couple of the staff from the group shot to achieve the following images:
·         Standard corporate portrait/head shot with white (PLAIN!) background, photographed inside.
To achieve this image I will need the use of at least two light heads. I will need one directed onto the background, in order to illuminate the whiteness. I will then need the other head to light the subjects face. The best way to do this in order to achieve nice lighting and shadowing, is to keep the light high  - just above the subject, and a little off centre, like we practiced in class. This will prevent ugly nose shadows and will let the light wrap nicely around the face.
Examples include:




·         More creative corporate headshot or midshot, photographed inside, they can be looking off camera talking to someone, gesturing etc or simply a tight more creative crop.
Example:

·         A portrait of the same person but have them using a computer, either laptop or desktop. Again, person to be photographed inside.
When using flash and photographing computer screens, a longer shutter speed is needed to allow the light from the screen to come through. It is also important that the lights are positioned correctly so that there isn’t any unwanted reflection from the flash units.
Example of this kind of portrait:




·         A simple portrait (friend, family) of one person, using the monobloc(s) as a main source outside.

 For this shot, I intend to either take a photo of one of the nuns that works where I live. She likes to garden a lot and do lots of outdoor activities, so I thought she might be a good subject – A photo of Sister Lou in the garden?
I also thought that photographing my father working outside on the farm could be a good subject to photograph – Dad in the sheep yards, wide brim hat on, dust in the air? It is also lambing season at the moment, maybe a photo of dad holding a lamb?


References:
Atomic, 2011, Brunel Franklin, Atomic –creative design and advertising, viewed 28 August 2011, < http://www.atomicdesign.co.uk/design/corporate_photography/brunel_franklin_photography>.

Lynch, G 2011,  city-photography-2, corporate photography folio, Portfolio, Viewed 28 August 2011, < http://www.specialimages.co.uk/blog/city-photographer/>.

Lynch, G 2011, Corporate portrait photography, Squidoo, Viewed 28 August 2011, < http://www.squidoo.com/corporate-portrait-photography>.

Noir group, 2011, Corporate, Noir, viewed 28 August 2011, < http://noirgroup.org/2011/05/corporate-event-photography/>.

Palmero, M 2009, Corporate-photograph-2, Marco Palmero Photography, Sydney Corporate Photography, Viewed 28 August 2011, < http://marcopalmero.com/sydney-photography/corporate>.

 Palmero, M 2009, Corporate-photograph-3, Marco Palmero Photography, Sydney Corporate Photography, Viewed 28 August 2011, < http://marcopalmero.com/sydney-photography/corporate>.

Simon, L 2011, Boardroom, Commercial Photography, Luke Simons Wedding, Viewed 28 August 2011, < http://lukesimonphotography.com/blog/categories/commercial/>.



 

Using Fill Flash and Bounce Flash Photography - 8th August 2011

In this class we took a number of photos where we use fill and bounce flash. Here are some examples:


Fill Flash

Exposing for the background

Adding Fill Flash

Exposing for the background without flash

Flash


Exposing for the background plus fill flash


Bounce Flash

Flash bouncing off wall


Flash pointed directly at subject


Flash bouncing off ceiling.


 Notice how the image with flash bouncing off the wall looks the best! The light is reflecting straight back onto the subject and wraping nicely around  the face, without making him look flat and casting heavy shadows on the wall behind him or under his eyes.

Week 2 Research



·         What does the term ‘bounce flash’ mean and why would you use this technique?
Bounce flash refers to the light from the flash, not being pointed directly at the given subject. Flash from a Speedlite can be quite harsh and by diffusing the flash would give a softer light. This can be done by using large reflectors that are commonly available in rooms where you shoot − the ceiling and walls. Aiming the flash at one of these surfaces reflects and diffuses the flash, giving much softer lighting for your subject. This is called ‘bounce flash’ photography.

·         What does the term fill flash mean and why would you use it?
Fill flash is a technique used to brighten deep shadow areas, typically outdoors on sunny days. This technique is useful when shooting and the background is significantly brighter than the subject of the photograph – backlit subjects or during the middle of the day and you are getting harsh shadows on your subject’s faces. To use fill flash, the aperture and shutter speed are adjusted to correctly expose the background, and the flash is fired to lighten the foreground.
·         When working in daylight, how could you use flash as a main light and daylight as a fill, describe it?
You are shooting a couple and there is heavy backlighting which means their faces are in shadow and by using a fill light you will illuminate their faces compensating for the backlighting. In this case the flash is the key light.

Saturday, 27 August 2011

First Location Session - 1st August 2011

This was the first lesson where we looked at the use of our speedlights, shooting with manual and TTL (Through the lens) mode.

Looking at guide numbers and how the distance of the subject to the flash can can affect the exposure.
As you can see, Ellory in the foreground is exposed correctly and Greg in the background is under-exposed.

The output of the flash was too strong for the distance between the subject and the flash.


                Out put of the flash was lowered and I was able to get a more evenly exposed image.

Panning with flash.

The image of Ellory on the left has been taken with flash and a long shutter speed, This allows for the ambiant light in the background to be exposed correctly. You can see the difference to the second image on the right where the image was taken with a shutter speed of 250th of a second - my cameras sync speed. This doesnt allow enough time for the backgroung to be correctly exposed. 


Week 1 Research

·         What shutter type is found in almost all small format DSLR cameras?
                The focal plane shutter.
·         What does the term Flash synchronisation speed mean?
This refers to the firing of a photographic flash coinciding with the shutter which admits light to photographic film or an electronic image sensor.
·         What is the flash synchronisation speed for you camera?
My camera being the Canon 60D, has a flash sync speed of 1/250 of a second.

·         What is the typical colour temperature (in Kelvins) of an electronic flash discharge?
The colour temp for electronic flash and vertical daylight is 5500-6000 K.

·         What is the typical flash discharge duration of a contemporary portable flash unit?
For the canon 580EXII speedlite, flash duration for normal flash is: 1.2ms or shorter, and quick flash is 2.3ms or shorter.